It’s Back to School at Nevermore Academy with New Faces and Spooky Tales

The Internet is a vicious place, but that’s nothing new. However, the events surrounding Kate Middleton, her health, and her family have just proven how terrible it really is.

Social media is rife with trolls and bullies, but it’s astounding to see how callous people can be simply due to speculation. In many ways, speculation and gossip have been the backbone of this whole Internet hullabaloo.

On January 16, Kensington Palace publicly shared the news that Middleton had undergone planned abdominal surgery and would likely be unable to resume any of her usual duties until after Easter (March 31, 2024). The internet went abuzz, with crazy theories flying left and right.

When Middleton posted her infamous photo on March 10 – the one she claims to have Photoshopped herself and which received kill notices from Getty Images and AP News – conspiracy theories multiplied, and most were downright absurd. Some pretty intense narratives circulated too; others even claimed that Middleton had already died.

It doesn’t seem fair, though, that some people would think up all these stories. Kensington Palace had already announced that Middleton is unlikely to step out in public until April, so it seems pointless for conspiracy theories to pop up when there had already been news about her health.

Imagine going through surgery, wanting to take a few months to recuperate, and instead falling victim to people claiming you’d already died. And newspapers picked up on this, scrutinised the Prince and Princess of Wales even more closely, and made judgments while Kensington Palace chose to keep mum. From a PR perspective, that’s a difficult position to be in. Anything they say can be twisted and used against them, but keeping quiet only fuelled the speculation surrounding what the family – which involves three very young children, by the way – was undergoing.

If anything, this shows how much distrust people have for mainstream media. There’s been plenty of studies that suggest that people – in America and around the world – no longer trust news organisations as a whole. People also tend to search out information that coincides with their point of view, proving their biases.

As a celebrity, Middleton has also been described as an ideal topic for mainstream conspiracy. According to Caro Claire Burke, a journalist and TikTok creator, the Middleton affair is “low stakes, easy to obsess over, and endlessly iterative”.

“There’s no easier build-your-own adventure story than the one that can be built around a woman who is simultaneously famous and unknown,” shares Burke.

Beyond the speculation also came the jokes. Cruel memes online, comments from celebrities like Blake Lively and Kim Kardashian (as seen above). It was a strange way to piggyback off the Middleton misfortune, which people later learned was in fact caused by Middleton’s cancer diagnosis.

When the princess uploaded a video explaining her condition, there was an immediate outpouring of concern. Publications started writing about why so many young people were getting cancer, there was a public outcry for apologies, and people started to realise that maybe it wasn’t the best time to make fun of Middleton.

“[The news] came as a huge shock and William and I have been doing everything we can to process and manage this privately for the sake of our young family,” Middleton shared in the video. As would anyone, Middleton needed time to come to terms with the news and even inform her children – the eldest, 10, and the youngest, 5 – that she was sick.

While celebrities have apologised for their gibes, there is a less forgiving pattern in the comments section of the video she posted. While most people have expressed their disappointment in the media for how they cornered Middleton into coming out with a video, others have publicly claimed that the video itself is made using AI. While the wariness that people have over AI and deepfakes is warranted and valid in itself, it seems unfair to pursue this subject when Middleton revealed that she is going through a health issue while under global speculation.

Updates have yet to appear after Middleton’s announcement less than a week ago but if this is proof of anything it’s that one, speculation never helps and two, she and her family deserve the peace and privacy they deserve to get through this.

In the daytime, Asia embraces a true hustle culture; by night, we let our hair down and erupt in a magnificent energy to good crowds and good music. In Tune With meets the electric DJs and music makers of Hong Kong and Asia to feel their pulse and uncover why they entered the frenetic nightlife industry.

Mojito first stepped into the Hong Kong spotlight as an open-format artist traversing the genres of hip-hop, club EDM, and more, lighting up the stage both behind the decks and on the mic. He has performed as a DJ all over the world stage alongside big-name artists, with shows ranging from exclusive parties at five-star venues like Ozone at the Ritz Carlton to festival appearances across Europe and throughout Asia.

As a rapper himself, and a key founder of the famed ‘Straight Outta Home Kong’ squad that produced events at the city’s most iconic hip-hop venues, he has been a trailblazer in bringing forward other aspects of the genre beyond just the music, like beatboxing and dancing.

Emerging with an artistic persona that blends all the various facets of his musical career, Mojito shares his story with The Beat Asia, uncovering the multicultural influences that make up the foundations of his artistry and the formative experiences behind his successes. Read on to see how his vibrant journey unfolded, ending with a glimpse into what’s to come for Mojito - as well as a special announcement of an upcoming release!

What first drew you towards music and DJ-ing?

Being able to express in the most creative way possible. Writing raps to express [my] feelings and the endless possibilities of mixing different genres and styles to create something completely unique.

Music is my drug, and it has been since the age of 13 when I started listening to rappers like Eminem and 50 Cent. At a later age after the experience with my YMCMB-like rap crew, I was searching for more ways to express [myself], and then I saw Jazzy Jeff and David Guetta doing what they do, which introduced me to the world of DJing.

I’ve been self-taught all the way from the beginning, had no [in-person] teachers, and started performing every chance I got. And today I’m trying to merge my two personas that form “Mojito”.

Having played world-class venues and performed beside famous international acts, let’s dial it back to the early days. How did you first build up your career in Hong Kong?

I was always into performing and bringing my charisma and character on stage with me. It started with school multicultural shows and music class performances. I did a lot of performing for the school I studied at, and it helped me overcome the anxiety anyone feels being in the spotlight.

I would say the best way [to build my career] in the earlier days – and it still is – was to network, continue to meet people and get out there to build great business relationships. My business acumen from my family background definitely played a big part. This got me playing every venue in town and I think that was where I learnt to be flexible, play any venue I am put in, and be able to rock any crowd.

I learnt how to network with overseas partners and now I’ve done shows in an accumulative of about 20 different countries around the world. Also, seeing the different multicultural ethnicities in Hong Kong was a part of it, as I had a goal to bridge that gap.

What was the state of the local hip-hop scene like when you first founded Straight Outta Home Kong?

It was such a pleasure and surprise being the curating founder of Straight Outta Home Kong (SOHK), the timing was perfect as Buzz Concepts had the copyrights to it for years and they never knew what to do with it until I came in with the event idea - and the rest was history. Now they have a full-blown brand of products with the Home Kong branding. I’m really proud as I proved to myself that my ideas can perform great on a larger scale.

On the other hand, the hip hop game at the time was present but was slightly lost in my opinion as not much was happening. Artists didn’t know where to go and there were less artists trying to pursue a career. The scene was heavily influenced by what we did at SOHK, as I wanted to bring every hip hop aspect into one night as a mini festival and unite all of them which is exactly what Hip Hop always prides itself on.

How did the Straight Outta Home Kong deepen your love for the genre/scene?

The idea was to let the crowd decide what they enjoyed more, and they wouldn’t stop raving at our events! We did six [events] in one year and it seemed that there was no stopping! Sadly, soon after came the shutting down of our home court and the best hip-hop club there was: FLY. But SOHK managed to inspire a spiral of events all across the city, with different individuals and different brands trying to entertain the city with a growing thirst for hip hop.

It triggered a rise in artists wanting to pursue and perform around the city, and it will always be something I’m proud of too. In the end, we always let the city have the best of what we brought to the table, as it was always out of true passion for me, and it was always for the culture.

What the brand also did for me was sow its roots into my passion for music with Hip Hop and made me realise that no matter which genre I ever touch or get involved with, hip-hop will always be home. It also brought back the thirst for [my] performing on stage as a rapper and inspired many solid original tracks at that time. I mean we had crowds standing on benches singing the lyrics to a song we had called “Can’t Get Enough,” and that spoke for itself.

As rapper Mojito, you bring together the diverse languages and communities of Hong Kong by rapping in Hindi, English, Cantonese, Spanish and Tagalog. What was the creative vision behind mixing these cultures and influences?

Honestly, in my younger years as well as while getting into the industry, I was always judged and critiqued for not being able to speak certain languages or play certain genres, and that fuelled my flame to expand.

I’ve met a lot of people [from] different walks of life who are from around the world, I was surrounded by different cultures and languages and always wanted to one day make use of them, and now they align perfectly with music in my life.

Learning all these different languages also inspired me in different ways because it helped me grow my vision universally, to [understand] how people in their cultures see things, write lyrics, or make melodies, for example. For that reason, I feel very grateful to be blessed with a skill in languages.

I also want to be able to break the language barrier between different cultures and share a message with people from every race: that we are all equal and it’s all about unity. You’ll get inspired if you take the right things from one another and I certainly practice what I preach too. There are also so many talented multi-lingual artists around Hong Kong and in Asia, and I’m proud to be recognized as one of them.

From Carlyle & Co at Rosewood Hotel to Sinulog Festival in Cebu, to Ozone bar in Hong Kong and shows across Europe – How do you approach switching between settings and adapting to the styles and expectations that come with each venue?

It’s kind of what keeps the thrill and excitement in what we do as DJs and rappers. New shows, new styles, new crowds, new expectations.

To me, the whole point of being a performer is to use my creative skill and exercise it every week. This skill has also been built over years of being an open-format DJ and performer, which really took time and effort to develop. To be able to play and switch between genres flawlessly is so much fun and something I’m really proud of.

You still play along the lines of the energy of the crowd but if you heard any of my sets at Quality Goods Club, or chat to the team about how every set I’ve played in there has been different, you’d understand what I’m talking about. I must have played every genre, every club and every crowd size in Hong Kong as well as other countries and it’s been a pleasure every single time. The only thing that changes for me is the BPM and the colours of the lights!

How has your signature performance style evolved over the years?

Growing from a rapper into a DJ and producer, and into a performer on stage who does both in various genres, I believe my style has evolved into this musical beast who is ready to put on a show for any crowd.

Rap has definitely helped me also grow as an MC, where I [learned to] interact much better with the crowd through the microphone as a DJ, and the diversity in genres has allowed me to play a variety of shows which I continue to enjoy always will. I’m also incorporating my production and recording skills to truly transform and catapult me into the performer I have become and continue to be.

I am really happy to call myself a performer now, after years of fine-tuning and incorporating my skills altogether. It’s all about putting on a show for the audience who come to watch me play and share my energy and musical high with them. As put by a fellow performer, what we do at every show is “Party Rock”!

What’s next in store for DJ Mojito, and Mojito the rapper?

More growth, more creativity and a hell of a lot more music.

Back in my early days as a rapper, I was mostly on features which never allowed me to really bring out my style as a rapper. This year I plan to launch my own entertainment and arts label that will push independent artists’ music, kicking off through a variety of singles by my rap persona Mojito in different genres, as well as my first solo rap EP with a possibility of features.

As DJ Mojito, a lot of my remixes that are made for clubs and dance purposes have not been released, and everyone keeps asking for them so my followers can expect a lot more exclusive releases in that area! I also have my original tracks being produced where I work with some amazing talent and put them on in multiple genres, and my goal is to hit the top 100 charts in different genres and to let my versatility speak for itself.

As a turntablist, I also am growing through practising hard to partake in the best competitions across Hong Kong and the globe, with hopes to have my fans vote for me where need be!

As a secret scoop exclusively on The Beat Asia – I will share one of my upcoming tracks that will also have a music video, titled “Meri Kahaani” which translates to “My Story.” Recorded in Hindi, English, Spanish and Cantonese, [the song] will share pieces of my musical journey as to why Mojito the rapper turned to DJ-ing and more. Stayed tuned for that one, guaranteed banger.

This interview has been edited for length and clarity.

Keep up with DJ Mojito at @djmojito852 to catch his latest events and performances.

Enjoyed this article? Check out our previous In Tune with profiles here.